Sexual Violence in History: A Bibliography

compiled by Stefan Blaschke

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Start: Alphabetical Index: Author Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Unknown

First published: June 1, 2024 - Last updated: June 1, 2024

TITLE INFORMATION

Author: Anastasia Fowler

Title: Anarchism, Dreaming, and Technology as Cures to Sexual Violence in Ursula K. Le Guin’s The Dispossessed and The Word for World is Forest

Subtitle: -

Thesis: Honors Theses, Bates College

Advisor: Steven Dillon

Year: 2024

Pages: 107pp.

Language: English

Keywords: Modern History: 20th Century | American History: U.S. History | Types: Rape; Representations: Literary Texts / Ursula K. Le Guin



FULL TEXT

Links: SCARAB (Scholarly Communication and Research at Bates) (Embargoed until May 2, 2025)



ADDITIONAL INFORMATION

Abstract: »This thesis explores the depiction of sexual violence in Ursula K. Le Guin’s Hainish Cycle, which includes The Left Hand of Darkness (1969), The Word for World is Forest (1972), and The Dispossessed (1974). Viewed through the perspective of Second Wave Feminism, which emerged in the 1970s and saw heightened attention to rape, these texts provide valuable insights into how science fiction explores sexual violence and where Le Guin situates herself within the feminist discourse. Chapter One examines an understudied scene in The Dispossessed that illustrates, with sensual language, protagonist Shevek’s sexual assault of a woman. I contribute to the limited literary discourse, including writer Samuel Delaney, that processes and attributes meaning to this scene. I also address and contemplate the novel's swift transition from the scene. I argue that Le Guin casts her hero in a new light–or darkness–to accentuate her ambiguous utopia to the degree that it is vague. As Le Guin paves her protagonist’s downfall, she simultaneously presents a redemption for his sexual assault: the collectivity of anarchism. In this chapter, I turn to Le Guin’s androgyny experiment, The Left Hand of Darkness, which offers her proclivity towards gender essentialism. Her perspective on gender elucidates Shevek’s capacity for masculine violence. His eventual embrace of anarchism signifies a shift towards androgyny. I assess the novel’s delicate and tender treatment of sex and love as a foil to the worlds of The Dispossessed–Urras and Anarresti. Chapter Two tackles The Word of the World is Forest, which offers an examination of inter-group violence originated by acts of rape. Does rape cause the Althsheans’ metamorphosis into violent individuals? World is Forest, I argue, suggests that sexual violence is an innate male trait that requires another cure: dreaming and technology. Le Guin’s texts demonstrate how science fiction operates as an outlet to portray the pernicious consequences of sexual violence. At the time and years later, critics struggled to assess or interpret Le Guin’s feminism. A focus on sexual violence helps to understand how her detailed utopias interact with contemporary science fiction and 2nd Wave Feminism.« (Source: SCARAB)

Wikipedia: History of the Americas: History of the United States | Literature: American literature / Ursula K. Le Guin | Literature: Fiction about rape / The Dispossessed, The Left Hand of Darkness, The Word for World Is Forest | Sex and the law: Rape / History of rape